I have finally taken some time to create a new and improved website for It is one of the new style single page “infinite” scroll which is really popular.

Tiny sneek peak: Lakazdi graphic design website.



Some of the challenges here were in uploading a theme to a server to be able to use. Customising was fairly simple but some of the CSS in this particular theme was a bit buried or in the wrong place. A big tricky thing was realising how the site builder worked because sometimes the background colour was in an element but other times it was applied to the whole row. Choosing what to keep wasn’t to hard because I knew that I wanted some icons and some small bits of text. I wanted to make sure that the website gives skills and not a list of items I can create. This is because I have been pivoting my business to help other businesses with all their various material for marketing, not just one off project types.

Fun things:

It was fun to bring in the concrete texture that I have been using in my portfolio and in mock up samples to show to people. A super bonus of having now is that I get to have complete full control over these types of things. New new website has a custom font and that one and singular difference makes my website look like mine. It is such a specific looking font, is part of the logo and the tittle on the i is a diamond, the diamond in my background and logo. This font was very important to have.

Made for mobile:

This is the first time that I have had a website that is made with mobile devices in mind from the start. The other websites were always mobile as an after thought. So this means that some of the content blocks were ordered so that it flowed better on a mobile phone. There is usually a left and right column in my site which works in both contexts. Also, the testimonial pages is now swipe ready which is so much easier to “digest” than one long page full of scrolling.

Contact Form:

Previously I had my contact form on a different page. All the stats collected by not only wordpress but also google showed that not a single person clicked away from my home page in the past six-months. Super annoying since all my content was not on my website, including the contact form. So now the navigation is very simple and the contact form appears in my wordpress footer, meaning it is a the bottom of every single page on my site including at the end of all blog posts. I also removed any hurdles. I used to have five questions now it is just a tell me about your project box, and a robot checker.


graphic design mockups

It has been really interesting for me to see how much the trend of print mockups has been on the internet as a way to showcase your work. Not so long ago when I first was adding portfolio items to behance I was using just screenshots of my files and now I take the time (which is getting quicker and quicker) to make mockup images. They really do tell the story better and are instantly recognisable. It is not until I see the two side-by-side that I realise this is a trend that will not be going away and this is something I am very happy with.

It certainly makes a difference when showing spreads of a book. Previously I felt the need to show the spine and edges otherwise there is no context.

using photoshop photo realistic mockup files to showcase your printed design work

I really do not think the difference is as profound with the cover but certainly, it is more obvious that this is a book cover and not a flyer or something else.mockups2But when showing something really quite big, like a billboard, the mockups are simply wonderful because it is so much easier to understand the scale in this context.

using photoshop photo realistic mockup files to showcase your printed design work


I have (finally) opened a flickr account:


screenshot of first flickr upload

Seriously – these are the first ever photographs I have taken. I played around with film cameras a small amount growing up (2 rolls of film tops) but this Olympus digital camera was the first that was ever camera that was just mine to use. With Darwin being as beautiful as it is I went out and had lots of fun taking thousands of photographs. I spent most days chasing sunsets!

Print 21 Article

I was recently approached by Metropolitan South Institute of TAFE (MSIT) to do some photography to accompany an article. The article is for Print 21 Magazine: Konica Minolta and Pent Net go back to school.

Article from Print 21 - konica minolta and pent net go back to school MSIT metro south institute of TAFE

Truncated screenshot of the article

The brief was simple: a photograph of the two workers alongside their Konica Minolta machine and I would be credited for my work.

photograph for print 21 article - konica minolta and pent net go to school MSIT

Photograph that has been published.

website wallpapers

From my Archive: 2007

When I was studying at university there was a to-do list that went on forever. Since I was studying computer-based art and design I have some useful skills up my sleeve and I spent heaps of time on my computer. It made sense to have a digital to-do list. I managed to “dig up” a few of these website wallpapers I made to combat the list:

website wallpaper links picture text

website wallpaper example

website wallpaper links picture text

website wallpaper example 2

These website wallpapers comprised of:

  • whatever image I was fascinated with for the week or I made my own to fascinate myself for the next week
  • links to programs most often used
  • links to exact files stored on my hard drive (saved so much time)
  • step by step to-do list for every class
  • whichever typeface fascinated me the most at the time (the two examples I found use Brushed)

I updated these every other day to cross out things and made a whole new one most weekends. Sometimes I started with a table for each day sometimes it was grouped into classes.

These website wall papers were a great way to continue developing my HTML website making skill set and by using Window’s active desktop setting I made something that was easier to navigate then my operating system.

Urban Typography

13th May 2009


A1 Major Assessment for ADN214 (Visual Identity and Exhibition Design) which focuses on either photography or digital illustration to represent the concept: technology’s affect on society/the human condition.

"Proliferation of Digital Typeface in the Urban Environment"

"Proliferation of Digital Typeface in the Urban Environment"


This all came about after seeing and photographing this particular scene:

The inspiration for the urban typography poster

The inspiration for the urban typography poster

I was on a Sunshine Coast train and I could not help but notice how many signs were in such a small place. All are from digital origins too. This made me think about digital typography and its affect on society. Then I started to research into the various areas:

  • urban environment = human condition/technology
  • digital type = technology
  • movable type = technology
  • photography = technology
  • desktop publishing = technology
  • time and space = human condition
  • pattern recognition = human condition
  • attention span = human condition

Some of the good bits that I found:

“For good or ill, Helvetica’s geometric forms litter the urban environment so densely that most of us barely notice them.”
King, E. 2007. Love Letters. Frieze. Iss. 107. Frieze, London.

“Design is everywhere. But if you live in a crowded urban environment, you are absolutely surrounded by it. Much of it may go unnoticed. Just paying attention to the ubiquitous samples of graphic design — for example posters, banners, billboards, etc. — Could fill every waking moment of your day.”
web reference

“Digital photography is to analogue photography what photography was to painting in the 1840’s. It is a process in which artists seek to establish the new medium’s definitions while acknowledging the
aesthetic dominance of an established art form.”
Halick, D. 1990. The Transcendental Machine? Leonardo. Vol 23. No 4. Pergamon Press, Great Britain.

“Feature Integration Theory (FIT) attempts to understand how visual attention binds (glues) separate features of individual objects together. FIT assumes a known visual system where colour, orientation and size are coded automatically without need for focal attention.”
Styles, E. 2005. Attention, Perception and Memory. Psychology Press, East Sussex.

This may seem like an insane amount of research but the overall presentation that I showed to the class on the 22nd of April 2009. The presentation was constructed in InDesign and exported as a PDF it ended up being 47 pages long. Here is the full list of references used:


ABS, 2001. 1216.0 – Australian Standard Geographical Classification (ASGC)
Currie, N. Long, A. 2006. Foto.Log Book. Thames and Hudson, UK.
Drucker, J. 1984. Letter Press Language: Typography as a Medium for the Visual Representation of Language. Leonardo. Vol 17. No 1. Pergamon Press, Great Britain.
Ernge, D. 2004. Getting it Said: The 30-Second Attention Span. Bookbird. Vol. 42, Iss. 2. Bookbird, Basel. Pg 15.
Halick, D. 1990. The Transcendental Machine? Leonardo. Vol 23. No 4. Pergamon Press, Great Britain.
Heller, S. Ilić, M. 2008. Icons of Graphic Design. Thames and Hudson, UK.
King, E. 2007. Love Letters. Frieze. Iss. 107. Frieze, London.
Lawson, A. 1990. Anatomy of a Typeface. David R Godine Publisher, Boston.
Life Editors, 2004. The Great Life Photographers. Thames and Hudson, UK.
Lipton, J. 2009. To © or not to ©? Copyright and Innovation in the digital typeface industry. Case Legal Studies Research Paper. No. 09-1. Case Western Reserve University School of Law, US.
Reinking, G. 2003. Cosmic Legacy: Space, Time and the Human Mind. Vantage Press, NY.
Roidevin, R. 2003. Travels in Four Dimensions: The Egnimas of Space and Time. Science News. Vol 164. Iss 9. Science Services, Washington.
Shaw, P. 2007. Stop Making Type. Print. September. Accessed through
Styles, E. 2005. Attention, Perception and Memory. Psychology Press, East Sussex.
Unknown Author, 1993. Macquarie School Dictionary. Macquarie, Australia.



The other pictures that I would want to show alongside the final is:

some of the letters from final poster

some of the letters from final poster

This is only some of the letters that I used. There was 398 letters all up and also another 98 spaces.

aligning the letters with align top

aligning the letters with align top

This is how I constructed the grid – its all with illustrators built in snap and align functions.


The actual text says:

This is a ransom. This is a ransom for your time. This is a ransom for your attention. This is a ransom to witness the proliferation of digital typefaces in the urban environment. This is a ransom for all designers to take into account we are the cause of this proliferation. This is a ransom for all people to reflect on how the proliferation of digital typefaces affects us as a society where we overlook our own environment. This is a ransom to change your actions starting right now.                  – Kassandra Bowers 2009

When it was in the art gallery this is the card that was next to it:

REGENERATE art exhibition name plate

REGENERATE art exhibition name plate

The artist statement was written by the senior lecturer and at her request I did not change it. Artist Statement:

“Language through type envelops us in our urban environment, and yet typography is to language what maps are to geography, scores are to music and algebra is to mathematics. Typography underpins our every day life from when we wake up to our fist glimpse of an alarm clock, through to the tuning of a radio to the brands of shampoo, toothpaste and cereal. We are bombarded by typographic messages all vying for our attention and all before we have walked out the door. My work explores new and aging typefaces, made by mechanical means, photographed from the plethora of signs seen within our urban environment.  In my image, I have used type as moveable singular letters to make words and sentences, similarly to a ransom note made from magazines or newspapers.
My work asks the viewer to become aware of the language of signs that are embedded in our
modern western culture.”

The art piece was in the University of the Sunshine Coast Art Gallery from the 11th June 2009 – 10th July 2009.
It has also been selected to travel with the exhibition to the Gympie Art Gallery – Opening 20 October 2009.

I have also sent this to Semi-Permanent to hopefully be included in their 2009 Book 2.